And for German soldiers in the Wehrmacht during World War II, there were surely frequent nightmares about the prospect of being sent to the freezing and carnage-filled Russian Front. Meanwhile, for members of the British government over the past half-century, the equivalent of the worst penal colony devised by the British or French Empires, or of the Russian Front, is surely Northern Ireland.
Mandy While I certainly consider the s to be one of the best decades for music and regard many films, ranging from Rainer Werner Fassbinder's swansong Querelle to Tim Hunter's River's Edgefrom the same era as being among my personal favorites, I have become increasingly disgusted with the entire nostalgia culture trend as is probably most popularly epitomized by the obscenely overrated Netflix series Stranger Things.
A degradingly derivative, conspicuously contrived, and politically correct Spielbergian pseudo-artistic con featuring gay little racially ambiguous boys as heroes and a mostly mute baby dyke as a heroine, the preposterously popular show, not unlike the films of sub human turd Tarantino, indubitably reveals more about the artistic and cultural bankruptcy of our age than its actual true worth as popular entertainment.
Indeed, I do not think it is an exaggeration to say that, for better or worse, there is more originality, creativity, and humanity in a single episode of the original Twilight Zone or The Outer Limits than all of the episodes of Stranger Things combined, but I digress.
Undoubtedly, it is a symptomatic of our spiritually sick and soulless age that people look to the Reaganite s—a mostly materialistic age when most movies were mostly nothing more than mindless entertainment—as a means to calm metaphysical afflictions like Weltschmerz and Sehnsucht, but, of course, it is not all that surprising considering we live in a decidedly deracinated consumerist age where the only frame of reference for the past is in spiritually and culturally hollow Hollywood form.
Personally, I find most The psychopath case study: jack the ripper essay these nostalgia fetish pieces annoying specifically because they express virtual swooning adoration for the very same sort of lowbrow entertainment products that lead to such spiritual emptiness in the first place, as a Spielberg or George Lucas movie is surely not going to provide one with the same sort of cultural or spiritual nourishment that traditional religions, families, and societies once provided people.
In short, these frivolous filmic products are narcotizing poison disguised as the cure. Although Cosmatos has only directed two features, he demonstrated with his very first feature Beyond the Black Rainbow an inordinate maturity in terms of both aesthetic vision and worldview.
Indeed, as the young auteur has revealed in various interviews, the film is partly a critique of the spiritually degeneracy of the Baby Boomer generation and how they foolishly experimented with dubious forms of occultism while high on psychedelics.
In his latest and greatest film, MandyCosmatos not only expands on his anti-Boomer sentiments, but also demonstrates a further aesthetic refinement that ultimately reveals that the auteur is one of the most interesting filmmakers working today.
Cosmatos, who of course is best known for Hollywood genre exercises, including the Sylvester Stallone vehicles Rambo: Indeed, it would be easy to accuse Cosmatos of nepotism but—aside from the fact that he did not direct his first feature until about half a decade after his father had died—this fat, swarthy, and goofy-looking fellow has clearly already paid his dues in terms of dedicating his life to the art of cinema and, unlike Brandon Cronenberg, he does not even seem remotely interested in parroting the auteur themes of his padre.
While the film stars Mr. Meme Nicholas Cage as the lead, Mandy is clearly not the work of a simple artisan looking to support his family but an enterprising and seemingly somewhat troubled artiste that has a somewhat aesthetically schizophrenic affinity for both total trash and high-art.
In other words, Cosmatos clearly made the film for himself, but luckily he has good enough taste to make films that appeal to slightly more people than just a marginal group of introverted autists.
And my favorite subject for a film. Just like his previous feature Beyond the Black Rainbow, the films is set in as if to hint that it is the foreboding penultimate year just before the Orwellian nightmare begins, or so one would surely assume upon watching the films.
Indeed, while Mandy might share various aesthetic similarities with films from the same decade when it is set, the film is sometimes as dark and dejecting as the most miserable works of German Expressionism despite paying homage to films as dumb and benign as Friday the 13th and Phantasm II Undoubtedly, the fiercely phantasmagorical film is like a reworking of the Orpheus and Eurydice myth as meant to appeal to stupid horror fans that are not even familiar with said myth; or so one would assume if one actually believed that the average My Sweet Satan-esque metal head could stomach something even remotely like an art film.
In fact, Mandy is one of the very few films that, in terms of influences and message, I would describe as a true white proletarian art film, though it is surely a cinematic work that most people seem to either love or love to hate.
As for me, I was shocked that I could thoroughly enjoy a film that features stupid pointless heavy metal fonts for similarly seemingly pointless chapter title sequences, but I take what I can get. To some degree, the film is the cinematic equivalent of junk food and the sort of flick that provides a sort of childlike escapism, yet it does provide a tinge of spiritual nourishment and righteous romantic justice that similar films are quite lacking.
In short, the film contains very little, if any, culturally syphilitic poz, which is certainly no small accomplishment considering the current cultural climate.
Likewise, the animation feels the bastard mongrel broad of characters from the esoteric erotic Japanese animated feature Belladonna of Sadness directed by Eiichi Yamamoto and the Canadian cult sci-fi-fantasy Heavy Metal As for the beauteously foreboding forest depicted in the film, it falls somewhere between the more mystical German Heimat films and the first two The Evil Dead films.
Luckily, the film is greater than the sum of its seemingly absurdly combined hodgepodge of parts. In that sense, Cosmatos is somewhat like Nicolas Winding Refn sans the obnoxious autism. And this is a movie that we hope will provide comfort, which is a funny thing to say about a film that is such a dark journey.
Indeed, it is not until the titular heroine is brutally murder by a Jesus cult that we truly realize how powerful their love is, at least for the male protagonist who carries out a savagely sadistic scorched-earth policy against the culprits.
The story of Mandy is deceptively simple: Simple man lives a simple happy life with his beloved girlfriend; hippie Jesus cult ruins man's life by kidnapping and murdering his girlfriend; destroyed simple man then dedicates his destroyed life to vengefully destroying every single member of the hippie cult.
Of course, the film is more of an aesthetic journey than a narratively complex Kubrickian tale. As hinted in the film, both characters come from rough traumatic backgrounds yet they have managed to find a special sort of happiness due to their strong love for one another.
Even before she is killed, it is clear that Mandy is probably the only thing keeping Red from being a miserable mess.Gary Edmister - # - - As a child of the 60's and who has searched for my spiritual self, I suggest that you need to embrace your inner self .
Hayes’ suspect is one named Dr. John Thomas Barnardo, and Francis Tumblety who was named and rated by Stewart Evans and Paul Gainey in their book Jack the Ripper: First American Serial Killer to be the “most likely person to have been the unknown killer .
Jack The Ripper Essay - Jack The Ripper Jack the Ripper, as he was rightly called, was an infamous murderer in London, England in , almost one hundred years ago. Codis Magic Wand Codi Vore is a heaven-sent angel in a sheer, white bra, panties and negligee.
She plays with the pearls she wears, and after lowering her bra, she sucks on her pink nipples and pinches them. Squeezing and rubbing her creamy-white tits, Codi lifts them up and drops them.
Jack the Ripper was never caught or identified, but it is evident that he was a psychopath and had a violent hatred towards women. Bartol and Bartol () state that murderers described as excessively sadistic and brutal tend to have many psychopathic features (p.
). From timberdesignmag.com Ae Fond Kiss, my short horror story that managed to be inspired both by a love song by Robert Burns and by the marvellous Musée Mécanique on Fisherman’s Wharf in San Francisco, is featured in the September issue of the webzine The Horror Zine..
The story first appeared in The Horror Zine’s summer paperback edition and, as usual with my horror fiction, it bears the.