Thursday, 1 March Freedom Writers: A Review This is the trailer from the film, Freedom Writers. The students in her English class were pushed through the school system without being expected to learn, with the assumption that they are incapable of learning. Throughout the film, Erin struggles to connect with her students, to make them believe that they can succeed, and to show them that their lives, experiences, and knowledge is valuable, all while attempting to unite them and to overcome to racial segregation and gang violence that is part of their daily lives.
Ironically, the film features almost zero teaching. Despite much pedagogical posturing, it doesn't teach us much, either. In the mids, a high-minded but inexperienced educator named Erin Gruwell played here by Hilary Swank organized her ninth-grade English class at a public high school in Los Angeles as an ongoing seminar in truth-telling, survival, social justice, and the power of self-expression.
Her students, predominantly poor and non-white, read The Diary of Anne Frank and Zlata's Diary and other stories of endangered but headstrong youth around the world. The class reciprocated with the publication of the The Freedom Writers Diary, in which they chronicled their own travails in the face of gang rivalries, poverty, homelessness, racism, apathy their own and others'and further layers of personal and social abuse.
Unfortunately, the film soon reveals itself as having more invested in the valor and perserverance it depicts than in the exigencies of storytelling and filmmaking.
Early on, Freedom Writers cuts from a fistfight in Gruwell's first class to her coffee break later that day; we hear that Erin is managing two classes of freshmen and sophomores, but we only ever see her with the same kids; we rarely even know what subjects she's imparting.
Its implied sentiment that Erin's success with her students is due only to empathetic connection, classroom provisions, and extra-curricular field trips leaves out the two things Freedom Writers purports to glorify: The actors, especially newcomers like April Lee Hernandez and Jason Finn as two of the students, do what they can to enliven the proceedings and inject the film with real clenches of frustration and troubled conscience.
She briefly sounds some deeper notes in a late scene with Patrick Dempsey, a callow wash as her increasingly alienated husband. The same unwanted vibe arises when Imelda Staunton, who went un-Oscared in Vera Drake when Swank copped her second trophy for Million Dollar Babyexacts a kind of sweet if unwitting revenge, dicing up Swank's vague thesping with a few quick slices of pity, contempt, resentment, and envy.
Swank's habitual privileging of dogged earnestness over skill or complexity typifies the whole film, which never loses its hold on the social desperation of its students and their appetite for knowledge, but which filters and broadcasts those sentiments in the most abstract, often vacuous ways.
This strain in the movie's rhetoric, despite some affecting cameos from real-life camp survivors, finally seems like one more way in which Freedom Writers fails to "get" the life of the classroom or the lifeworld of poor, young, multiethnic Angelenos.
Certainly, LaGravenese never jives to the obligatory hip-hop soundtrack as he did to the jazz in Living Out Loud; he uses, of all things, Naughty by Nature's exuberant "Hip Hop Hooray" to underline the tensions and intramural fisticuffs Erin witnesses upon arriving for her first day of school.
I've read portions of The Freedom Writers Diary, some of which are quoted at length in this film, and if the movie finally serves to advertise the book and its testimonies and the axes of injustice, ghettoization, and social stratification that are the contexts for those testimoniesthen Freedom Writers will be a hard film to begrudge.
Actually, it's already too brisk, reasonably engaging, and aggreeably virtuous to begrudge. But all of that energy and goodness is counterbalanced by the tentative style and script and by a lingering air of failed strategizing:Free Essays on Freedom Writers Sociological View Search Using Sociological theories and explanations examine the view that the nuclear family is the ‘the best way to raise children’.
Do you really want to delete this prezi? Neither you, nor the coeditors you shared it with will be able to recover it again. Delete Cancel. The film Freedom Writers directed by Richard La Gravenese is an American film based on the story of a dedicated and idealistic teacher named Erin Gruwell, who inspires and teaches her class of belligerent students that there is hope for a life outside gang violence and death.
Sociological Analysis On The Movie Freedom Writers An Inspiring and Meaningful Movie Freedom Writers Freedom Writers is a drama movie based on the book “The Freedom Writers Diary” written by The Freedom Writers with Erin Gruwell.
Freedom Writers: Rhetorical Analysis Essay Words | 3 Pages. Rhetorical Analysis: Freedom Writers The movie “Freedom Writers” is based on a true story. Hilary Swank as Erin Gruwell plays an inspirational teacher at Wilson High School. She is ready to take on the teaching world as she steps inside Wilson High School for her first day.
Freedom Writers Analysis. An Inspiring and Meaningful Movie Freedom Writers Freedom Writers is a drama movie based on the book “The Freedom Writers Diary” written by The Freedom Writers with Erin Gruwell.
The movie was first released on January 5th in the USA, and on May 18th in Norway.